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Maison Et Objet 2023 | Rising Talents

Maison Et Objet 2023 is coming! The current state of Spanish design is unprecedentedly exciting. Around the world, seasoned designers with a firm trajectory are working on solo projects or joint ventures with pertinent organizations and businesses. Only a few Spanish innovators stood out when American, Anglo-Saxon, Nordic, and Italian design became well-established.

Maison Et Objet 2023 | Rising Talents

In its January issue, Maison&Objet will throw open the door to new opportunities for Spanish designers. designers who can move easily across many design disciplines. A fluency and creative adaptability that the jury that was assembled to choose the Spanish talents that will be promoted by Maison&Objet has emphasized. The jury, which was assembled in collaboration with the Madrid Design Festival, was composed of industry experts from several disciplines who are individually driving a significant change in Spanish design. New faces of design from various nations are unveiled during each M&O edition held in Paris. M&O is charting the protagonists of design’s future.

The Identity And Power Of  Contemporary Spanish Design

Spanish design’s identity has recently come to be more clearly defined, and it is now associated with an overflowing sense of originality, superiority, and quality as well as a commitment to social and cultural commitment. Designers from all over the world are involved in this. The educational institutions that develop as a result of research and innovative models.

The Talents

Marta Ayala Herrera

At the Nebrija University, she concentrated on engineering with a concentration on industrial design. Her first professional partnerships took place at the La Casa Encendida, Doiy Barcelona, Ciszak Dalmas studio, and Madrid Design Festival. 2013 saw her win the Injuve Award. His present workspace is in Barcelona’s Poblenou neighborhood. Her methodology emphasizes on trying out new techniques and seeking for various materials, particularly inexpensive ones.
With detachable components that include handmade finishes and a combination of delicate materials, she has shown coherence and ongoing research into new functionality. She has participated in exhibitions at the Casabanchel in Madrid, the Ventura Lambrate in Milan, Milan Design Week, and Lille World Design Capital.

Max Mila Serra

He attended Barcelona’s Elisava School to study industrial design. He has been working in Antoni Arola’s studio for many years. He has concentrated his efforts as a designer on innovative and experimental lighting. He has taken part in events like London Design Week, Fad Fest, Madrid Design Festival, and LLum. He focuses all of his eyesight on the element of light. the variety of surfaces and materials on which he projected the variation and delicacy of light in space While working with Antoni Arola, he was still able to promote his own work with a broader perspective. Particularly interesting are his works that feature unpolished rocks and botanical details. His artwork exhibits cause the viewer to feel as though they are being completely immersed in a chic yet rustic environment.


Miguel Leiro

At the Pratt Institute in New York, he studied design. He has worked with firms like Moneo-Brock, Juan Uslé, Victoria Civera, and Jaime Hayon in the fields of architecture, art, and design. The Madrid Design Festival, Experimento Design, BID Bienal Iberoamericana of Design, COAM Colegio de Arquitectos de Madrid, and Zona MACO Design Mexico are only a few of the shows in which he has taken part. He is the inventor, curator, and director of the MAYRIT design biennial, an experiment-focused festival of alternative creators. He connects functionality with an always original creative position in the objects he creates. The user’s contact and intervention are always required because of the flexibility of the materials, the way they are put together, and the various interpretations of use. He glides fluidly in both professional and craft settings.

Tornasol Studio

Their studio was established in 2017. Guillermo Trapiello is an architect and a cartographer, and Inés Llasera is an industrial designer. Their work is a synthesis of the visual arts, architecture, and the things they design. They approach the study of spaces and the components that make them up very differently. They research materiality, scale, color, motion, and light. Their key traits are multifunctionality and the exploration of novel methods to reflect reality.
Their processes involving interior design, furniture, and things that create various positions. Traditions and play are always present, and the materials are always taken from the nearby area.

Marta Armengol

She graduated from the Barcelona School of Architecture as an architect. She blurs the lines between architecture, design, and workmanship in her work, and she doesn’t forget about scenography or more creative installations. She uses a variety of materials, including glass, to create radical workmanship in the rooms she builds. There is a distinct aesthetic sensibility. Though conceptual, her line of work clearly embodies extreme workmanship and incorporates poetry. She tinkers with the materials to produce unique shapes and textures. She has a creative interest in both ordinary objects and light. She either works alone or with other creatives who share her values. Rosala’s set featured her creations, and she also participated in the Dutch Design Festival, the Mayrit Biennial, Barcelona Design Week, and other exhibitions.

Alvaro Aramburu

He first studied industrial design at the technical school in Madrid before transferring to HDK Steneby to pursue applied arts. He primarily creates wood furniture and one-of-a-kind handmade items. Additionally, he participates in the Växt studio, a co-working space for multidisciplinary design development, and a collective that supports design in Sweden. He has displayed his works at the Espacio Intermedio design gallery. He is obsessed with wood as a sensitive material for the growth of his creativity. Although his creative procedures bring him closer to commonplace objects, he gives them new perspectives and angles; usefulness is not the primary goal; instead, there is an expectation that the viewer would become detached from the domestic and everyday object and be moved or caused to contemplate.



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